
Wild Pink Dulling The Horns Vinyl LP Blue Swirl Colour 2025
1. The Fences of Stonehenge
2. Eating the Egg Whole
3. Cloud Or Mountain
4. Disintegrate
5. Sprinter Brain
6. Dulling the Horns
7. St. Catherine St.
8. Catholic Dracula
9. Bonnie One
10. Rung Cold
āDo you still believe it?ā John Ross asks that question after journeying through the wreckage. The genesis of "Dulling The Horns" goes back to late 2022, when Ross began workshopping new material during soundcheck on the ILYSM tour. Last summer, Wild Pink decamped to western Massachusetts to reunite with engineer Justin Pizzoferrato. Ross decided to record "Dulling The Horns" live in the room, in an effort to capture Wild Pinkās onstage style ā rawer, grainier. Gone are the glimmering atmospherics and studio affectations of recent Wild Pink outings. Instead, Rossā voice is haggard against the humid distortion coating every song. āI wanted to make economical songs,ā Ross explains. āMusic that is very much at its core three or four people rocking.ā If before, Wild Pink took notes from Springsteen and Petty, theyāve now entered their Crazy Horse era. On "Dulling The Horns" , you can hear him rediscovering the fire in real time. Tropes discarded along the roadside, songs pulled from the formative DNA of rock music, all filtered through years of messy fog. āThere is no answer to these problems,ā Ross says, having eventually yielded. But as far "Dulling The Horns" is concerned, thereās at least one path forward: Burn it all away, and keep moving. The album was mixed by Alex Farrar in Asheville NC and mastered by Greg Obis in Chicago, IL.
Original: $37.58
-65%$37.58
$13.15Wild Pink Dulling The Horns Vinyl LP Blue Swirl Colour 2025
1. The Fences of Stonehenge
2. Eating the Egg Whole
3. Cloud Or Mountain
4. Disintegrate
5. Sprinter Brain
6. Dulling the Horns
7. St. Catherine St.
8. Catholic Dracula
9. Bonnie One
10. Rung Cold
āDo you still believe it?ā John Ross asks that question after journeying through the wreckage. The genesis of "Dulling The Horns" goes back to late 2022, when Ross began workshopping new material during soundcheck on the ILYSM tour. Last summer, Wild Pink decamped to western Massachusetts to reunite with engineer Justin Pizzoferrato. Ross decided to record "Dulling The Horns" live in the room, in an effort to capture Wild Pinkās onstage style ā rawer, grainier. Gone are the glimmering atmospherics and studio affectations of recent Wild Pink outings. Instead, Rossā voice is haggard against the humid distortion coating every song. āI wanted to make economical songs,ā Ross explains. āMusic that is very much at its core three or four people rocking.ā If before, Wild Pink took notes from Springsteen and Petty, theyāve now entered their Crazy Horse era. On "Dulling The Horns" , you can hear him rediscovering the fire in real time. Tropes discarded along the roadside, songs pulled from the formative DNA of rock music, all filtered through years of messy fog. āThere is no answer to these problems,ā Ross says, having eventually yielded. But as far "Dulling The Horns" is concerned, thereās at least one path forward: Burn it all away, and keep moving. The album was mixed by Alex Farrar in Asheville NC and mastered by Greg Obis in Chicago, IL.
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1. The Fences of Stonehenge
2. Eating the Egg Whole
3. Cloud Or Mountain
4. Disintegrate
5. Sprinter Brain
6. Dulling the Horns
7. St. Catherine St.
8. Catholic Dracula
9. Bonnie One
10. Rung Cold
āDo you still believe it?ā John Ross asks that question after journeying through the wreckage. The genesis of "Dulling The Horns" goes back to late 2022, when Ross began workshopping new material during soundcheck on the ILYSM tour. Last summer, Wild Pink decamped to western Massachusetts to reunite with engineer Justin Pizzoferrato. Ross decided to record "Dulling The Horns" live in the room, in an effort to capture Wild Pinkās onstage style ā rawer, grainier. Gone are the glimmering atmospherics and studio affectations of recent Wild Pink outings. Instead, Rossā voice is haggard against the humid distortion coating every song. āI wanted to make economical songs,ā Ross explains. āMusic that is very much at its core three or four people rocking.ā If before, Wild Pink took notes from Springsteen and Petty, theyāve now entered their Crazy Horse era. On "Dulling The Horns" , you can hear him rediscovering the fire in real time. Tropes discarded along the roadside, songs pulled from the formative DNA of rock music, all filtered through years of messy fog. āThere is no answer to these problems,ā Ross says, having eventually yielded. But as far "Dulling The Horns" is concerned, thereās at least one path forward: Burn it all away, and keep moving. The album was mixed by Alex Farrar in Asheville NC and mastered by Greg Obis in Chicago, IL.












