
The Orchids Lyceum Vinyl LP 2025
- It's Only Obvious
- A Place Called Home
- Caveman
- The York Song
- Carrole-Anne
- Hold On
- Blue Light
- If You Can't Find Love
- I've Got a Habit
- Apologies
- Give Me Some Peppermint Freedom
- Defy the Law
- Underneath the Window, Underneath the Sink
- Tiny Words
- Walter
- What Will We Do Next?
- As Time Goes By
- Yawn
Hailing from the suburbs of Glasgow, this five-piece are best known for their three starry-eyed albums on the renowned Sarah Records - this being an expanded version of their first (an eight-track 10â at the time). 'Lyceum' was originally released in August 1989.
The Scottish five-piece released âIâve Got a Habitâ and âUnderneath the Window, Underneath the Sinkâ as EPs before really finding their feet with âLyceumâ; the tracks, remastered from the original Toad Hall tapes are included on this reissue as are the three songs from the âWhat Will We Do Next?â 7â (this collection closes with the frazzled stretch that is âYawnâ).
The album opens with âItâs Only Obviousâ and its gloriously youthful chorus of âwho needs tomorrow when all I need, all I needed was youâ. James Hackett somehow appears both forthright and rejected, something that one of their musical heroes The Go-Betweens also had down to a fine art. It barely takes a breath until midway through side two where âHold Onâ (sounding suspiciously like an unlikely objective) descends into the intro of âBlue Lightâ, the counted-in â1, 2, 3, 4â whispered like the most hopelessly dejected rally. If that sounds depressing, it isnât. This record, by The Orchids, was a spirited source of comfort for an 18 year old at the time and still shudders with the best type of melancholy, one thatâs spirited not indulgent. If youâre not familiar with the bandâs charm, this is where you should begin.
â'Lyceum' is a fountainhead of unqualified greatness. Itâs a strange, sad sound harking back to old school tunesmanship â Aztec Camera, âRattlesnakesâ, prime-time Felt â but the whole affair is permeated with a resonant, almost tearful quality. âLyceumâ is reminiscent of Galaxie 500âs âTodayâ in that it sounds like it cost less than a round of drinks to produce. But the lo fi sound merely enhances the misty glazed-pop sound and raises the hallelujah choruses to the forefront. Rather than drowning them in production mush. Donât pass it byâ.
â Bob Stanley, Melody Maker 1989
Original: $34.90
-65%$34.90
$12.21The Orchids Lyceum Vinyl LP 2025
- It's Only Obvious
- A Place Called Home
- Caveman
- The York Song
- Carrole-Anne
- Hold On
- Blue Light
- If You Can't Find Love
- I've Got a Habit
- Apologies
- Give Me Some Peppermint Freedom
- Defy the Law
- Underneath the Window, Underneath the Sink
- Tiny Words
- Walter
- What Will We Do Next?
- As Time Goes By
- Yawn
Hailing from the suburbs of Glasgow, this five-piece are best known for their three starry-eyed albums on the renowned Sarah Records - this being an expanded version of their first (an eight-track 10â at the time). 'Lyceum' was originally released in August 1989.
The Scottish five-piece released âIâve Got a Habitâ and âUnderneath the Window, Underneath the Sinkâ as EPs before really finding their feet with âLyceumâ; the tracks, remastered from the original Toad Hall tapes are included on this reissue as are the three songs from the âWhat Will We Do Next?â 7â (this collection closes with the frazzled stretch that is âYawnâ).
The album opens with âItâs Only Obviousâ and its gloriously youthful chorus of âwho needs tomorrow when all I need, all I needed was youâ. James Hackett somehow appears both forthright and rejected, something that one of their musical heroes The Go-Betweens also had down to a fine art. It barely takes a breath until midway through side two where âHold Onâ (sounding suspiciously like an unlikely objective) descends into the intro of âBlue Lightâ, the counted-in â1, 2, 3, 4â whispered like the most hopelessly dejected rally. If that sounds depressing, it isnât. This record, by The Orchids, was a spirited source of comfort for an 18 year old at the time and still shudders with the best type of melancholy, one thatâs spirited not indulgent. If youâre not familiar with the bandâs charm, this is where you should begin.
â'Lyceum' is a fountainhead of unqualified greatness. Itâs a strange, sad sound harking back to old school tunesmanship â Aztec Camera, âRattlesnakesâ, prime-time Felt â but the whole affair is permeated with a resonant, almost tearful quality. âLyceumâ is reminiscent of Galaxie 500âs âTodayâ in that it sounds like it cost less than a round of drinks to produce. But the lo fi sound merely enhances the misty glazed-pop sound and raises the hallelujah choruses to the forefront. Rather than drowning them in production mush. Donât pass it byâ.
â Bob Stanley, Melody Maker 1989
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Description
- It's Only Obvious
- A Place Called Home
- Caveman
- The York Song
- Carrole-Anne
- Hold On
- Blue Light
- If You Can't Find Love
- I've Got a Habit
- Apologies
- Give Me Some Peppermint Freedom
- Defy the Law
- Underneath the Window, Underneath the Sink
- Tiny Words
- Walter
- What Will We Do Next?
- As Time Goes By
- Yawn
Hailing from the suburbs of Glasgow, this five-piece are best known for their three starry-eyed albums on the renowned Sarah Records - this being an expanded version of their first (an eight-track 10â at the time). 'Lyceum' was originally released in August 1989.
The Scottish five-piece released âIâve Got a Habitâ and âUnderneath the Window, Underneath the Sinkâ as EPs before really finding their feet with âLyceumâ; the tracks, remastered from the original Toad Hall tapes are included on this reissue as are the three songs from the âWhat Will We Do Next?â 7â (this collection closes with the frazzled stretch that is âYawnâ).
The album opens with âItâs Only Obviousâ and its gloriously youthful chorus of âwho needs tomorrow when all I need, all I needed was youâ. James Hackett somehow appears both forthright and rejected, something that one of their musical heroes The Go-Betweens also had down to a fine art. It barely takes a breath until midway through side two where âHold Onâ (sounding suspiciously like an unlikely objective) descends into the intro of âBlue Lightâ, the counted-in â1, 2, 3, 4â whispered like the most hopelessly dejected rally. If that sounds depressing, it isnât. This record, by The Orchids, was a spirited source of comfort for an 18 year old at the time and still shudders with the best type of melancholy, one thatâs spirited not indulgent. If youâre not familiar with the bandâs charm, this is where you should begin.
â'Lyceum' is a fountainhead of unqualified greatness. Itâs a strange, sad sound harking back to old school tunesmanship â Aztec Camera, âRattlesnakesâ, prime-time Felt â but the whole affair is permeated with a resonant, almost tearful quality. âLyceumâ is reminiscent of Galaxie 500âs âTodayâ in that it sounds like it cost less than a round of drinks to produce. But the lo fi sound merely enhances the misty glazed-pop sound and raises the hallelujah choruses to the forefront. Rather than drowning them in production mush. Donât pass it byâ.
â Bob Stanley, Melody Maker 1989












