
Split Dogs Here To Destroy Vinyl LP Red Colour 2025
Tracklist:
1. Stay Tuned
2. Monster Truck
3. Animal
4. Be A Sport
5. Meg
6. Lafayette
7. And What?
8. Precious Stones
9. All In
Rockânâroll revivalists Split Dogs are not here to make 15 second viral videos, theyâre not hereto sell you a lifestyle, theyâre here to destroy. Born from the frustration of seeing music become commodified and soulless, vocalist Harry Atkins and guitarist Mil Martinez had the idea to form a band as far back as 2015, with the name âSplit Dogsâ pulled from the classic zombie film âReturn of the Living Deadâ.
In South London, a young Martinez would hear Status Quo, Bachman Turner Overdrive and Dire Straits on the car radio while his father drove him to school. At home he would invade his older brothersâ record collection which leaned towards the harder sounds of punk and heavy metal. Meanwhile in the Black Country, Harryâs mother instilled a love of Northern Soul, Slade and rockânâroll, with stories of nights out at Club Lafayette and family singalongs at home. According to Martinez, âOur sound is a culmination of all those early influences and, to be honest, it really shows.â
It wasnât until 2022 that Split Dogs officially arrived on the scene with bass player Suez Boyle joining the band in 2023. Already a prominent figure in the queer punk scene, Suez played the first ever Rebellion Festival at the tender age of 16 with her band The Walking Abortions. Up until that point, drummer Chris Hugall, an old friend of Martinez and former member of ska punks Mouthwash (signed to Rancidâs label Hellcat back in the day), was only on hand to help design artwork. It wasnât until 2024 Hugall joined the band full time, cementing the current line-up.
The raucous live shows and infectious lyrics saw the four-piece make a name for themselves among the punks of Bristol, a scene that has always welcomed LGBTQ+ and marginalised people. As word spread, so did the gigging, and soon enough Split Dogs were playing to sold out rooms in mainland Europe, eventually grabbing the attention of UK label Venn Records (Gallows, Bob Vylan, High Vis).
âHere to Destroyâ was recorded over three days at Middle Farm Studios by producer Peter Miles. All tracks were laid straight to a 16 track reel-to-reel tape machine, no autotune, no effects pedals, no computers. To add to the musicâs authenticity, the album was recorded live, with Harry singing along in a vocal booth. No cutting and pasting, just nailing takes. According to Martinez, âIt was a blast! We fully immersed ourselves, sleeping in a small apartment below the studio, cooking meals and listening to Peteâs extensive record collectionâ.
While the final result is a step away from Split Dogs early punk sound, the attitude is still there in droves. âWe wanted the album to have a raw bones feel,â Martinez tells us, âreal1970s rockânâroll!â. Harry channels the spirit of Motörheadâs Lemmy Kilmister as they tear through hook after hook, singing about the Northern Soul clubs their mother once frequented (âLafayetteâ), the Orwellian nightmare weâre heading for (âStay Tunedâ) and a touching homage to British working class culture (âAnd What?â).
As the album title makes clear, Split Dogs are here to destroy, but theyâre also here to rebuild and remind us of musicâs essence. âWeâre not beholden to the digital age, we don't want to get famous on social media, we just want to show the world that rockânâroll is alive and wellâ
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Split Dogs Here To Destroy Vinyl LP Red Colour 2025
Tracklist:
1. Stay Tuned
2. Monster Truck
3. Animal
4. Be A Sport
5. Meg
6. Lafayette
7. And What?
8. Precious Stones
9. All In
Rockânâroll revivalists Split Dogs are not here to make 15 second viral videos, theyâre not hereto sell you a lifestyle, theyâre here to destroy. Born from the frustration of seeing music become commodified and soulless, vocalist Harry Atkins and guitarist Mil Martinez had the idea to form a band as far back as 2015, with the name âSplit Dogsâ pulled from the classic zombie film âReturn of the Living Deadâ.
In South London, a young Martinez would hear Status Quo, Bachman Turner Overdrive and Dire Straits on the car radio while his father drove him to school. At home he would invade his older brothersâ record collection which leaned towards the harder sounds of punk and heavy metal. Meanwhile in the Black Country, Harryâs mother instilled a love of Northern Soul, Slade and rockânâroll, with stories of nights out at Club Lafayette and family singalongs at home. According to Martinez, âOur sound is a culmination of all those early influences and, to be honest, it really shows.â
It wasnât until 2022 that Split Dogs officially arrived on the scene with bass player Suez Boyle joining the band in 2023. Already a prominent figure in the queer punk scene, Suez played the first ever Rebellion Festival at the tender age of 16 with her band The Walking Abortions. Up until that point, drummer Chris Hugall, an old friend of Martinez and former member of ska punks Mouthwash (signed to Rancidâs label Hellcat back in the day), was only on hand to help design artwork. It wasnât until 2024 Hugall joined the band full time, cementing the current line-up.
The raucous live shows and infectious lyrics saw the four-piece make a name for themselves among the punks of Bristol, a scene that has always welcomed LGBTQ+ and marginalised people. As word spread, so did the gigging, and soon enough Split Dogs were playing to sold out rooms in mainland Europe, eventually grabbing the attention of UK label Venn Records (Gallows, Bob Vylan, High Vis).
âHere to Destroyâ was recorded over three days at Middle Farm Studios by producer Peter Miles. All tracks were laid straight to a 16 track reel-to-reel tape machine, no autotune, no effects pedals, no computers. To add to the musicâs authenticity, the album was recorded live, with Harry singing along in a vocal booth. No cutting and pasting, just nailing takes. According to Martinez, âIt was a blast! We fully immersed ourselves, sleeping in a small apartment below the studio, cooking meals and listening to Peteâs extensive record collectionâ.
While the final result is a step away from Split Dogs early punk sound, the attitude is still there in droves. âWe wanted the album to have a raw bones feel,â Martinez tells us, âreal1970s rockânâroll!â. Harry channels the spirit of Motörheadâs Lemmy Kilmister as they tear through hook after hook, singing about the Northern Soul clubs their mother once frequented (âLafayetteâ), the Orwellian nightmare weâre heading for (âStay Tunedâ) and a touching homage to British working class culture (âAnd What?â).
As the album title makes clear, Split Dogs are here to destroy, but theyâre also here to rebuild and remind us of musicâs essence. âWeâre not beholden to the digital age, we don't want to get famous on social media, we just want to show the world that rockânâroll is alive and wellâ
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Tracklist:
1. Stay Tuned
2. Monster Truck
3. Animal
4. Be A Sport
5. Meg
6. Lafayette
7. And What?
8. Precious Stones
9. All In
Rockânâroll revivalists Split Dogs are not here to make 15 second viral videos, theyâre not hereto sell you a lifestyle, theyâre here to destroy. Born from the frustration of seeing music become commodified and soulless, vocalist Harry Atkins and guitarist Mil Martinez had the idea to form a band as far back as 2015, with the name âSplit Dogsâ pulled from the classic zombie film âReturn of the Living Deadâ.
In South London, a young Martinez would hear Status Quo, Bachman Turner Overdrive and Dire Straits on the car radio while his father drove him to school. At home he would invade his older brothersâ record collection which leaned towards the harder sounds of punk and heavy metal. Meanwhile in the Black Country, Harryâs mother instilled a love of Northern Soul, Slade and rockânâroll, with stories of nights out at Club Lafayette and family singalongs at home. According to Martinez, âOur sound is a culmination of all those early influences and, to be honest, it really shows.â
It wasnât until 2022 that Split Dogs officially arrived on the scene with bass player Suez Boyle joining the band in 2023. Already a prominent figure in the queer punk scene, Suez played the first ever Rebellion Festival at the tender age of 16 with her band The Walking Abortions. Up until that point, drummer Chris Hugall, an old friend of Martinez and former member of ska punks Mouthwash (signed to Rancidâs label Hellcat back in the day), was only on hand to help design artwork. It wasnât until 2024 Hugall joined the band full time, cementing the current line-up.
The raucous live shows and infectious lyrics saw the four-piece make a name for themselves among the punks of Bristol, a scene that has always welcomed LGBTQ+ and marginalised people. As word spread, so did the gigging, and soon enough Split Dogs were playing to sold out rooms in mainland Europe, eventually grabbing the attention of UK label Venn Records (Gallows, Bob Vylan, High Vis).
âHere to Destroyâ was recorded over three days at Middle Farm Studios by producer Peter Miles. All tracks were laid straight to a 16 track reel-to-reel tape machine, no autotune, no effects pedals, no computers. To add to the musicâs authenticity, the album was recorded live, with Harry singing along in a vocal booth. No cutting and pasting, just nailing takes. According to Martinez, âIt was a blast! We fully immersed ourselves, sleeping in a small apartment below the studio, cooking meals and listening to Peteâs extensive record collectionâ.
While the final result is a step away from Split Dogs early punk sound, the attitude is still there in droves. âWe wanted the album to have a raw bones feel,â Martinez tells us, âreal1970s rockânâroll!â. Harry channels the spirit of Motörheadâs Lemmy Kilmister as they tear through hook after hook, singing about the Northern Soul clubs their mother once frequented (âLafayetteâ), the Orwellian nightmare weâre heading for (âStay Tunedâ) and a touching homage to British working class culture (âAnd What?â).
As the album title makes clear, Split Dogs are here to destroy, but theyâre also here to rebuild and remind us of musicâs essence. âWeâre not beholden to the digital age, we don't want to get famous on social media, we just want to show the world that rockânâroll is alive and wellâ












