![[Sama'A] (Audition) Vinyl LP 2025](/images/theassairecords.shop/images/product/samaa-audition-vinyl-lp-due-out-28-11-25-1.jpg)
[Sama'A] (Audition) Vinyl LP 2025
1. Ya Annas [Oh, People]
2. Isma'a [Listen]
3. El Haris [Anxious]
4. Farah 'Alaiyna [Joy Upon Us]
An iterative, developmental, explorative suite of music.
Fastidious fans may recognise the album's tracklisting as that of Ahmed Abdul-Malikās Jazz Sahara. After his success collaborating with the pianists Thelonious Monk and Randy Weston, Jazz Sahara was the first record Abdul-Malik made as a leader and was released in 1958. It used the flame of late Fifties jazz to light the wick of North African folk music and acted as a reminder of the Arabic origins of jazz, creating a distinct, unique sound that was far beyond its time. In Malikās Jazz Sahara, there is no piano. The ongoing work of each member of [Ahmed] then is to think differently, to wonder how the music will work and to take a risk on trying it out - an extraordinarily compelling feat of imagination.
Using group improvisation strategies and recording in single takes, ???? [Sama'a] (Audition) tackled the full suite of Jazz Sahara in just one session, with āYa Annas [Oh, Peopleā] and āIsma'a [Listenā] being previously unrecorded. 'Farah 'Alaiynaā, also released on 2019ās Super Majnoon, sounds unrecognisable - the slow, heady stomp and repeated phrasing of 2019ās embryonic [Ahmed] having been blast furnaced and sped up four-fold.
The result is four kaleidoscopic, relative miniatures that move, unfold and re-imagine at a very different scale and proportion than [Ahmed]ās previous records. Itās a dizzying, euphoric music and an extraordinary record of a group moving through space-time like no other.
[Sama'A] (Audition) Vinyl LP 2025
1. Ya Annas [Oh, People]
2. Isma'a [Listen]
3. El Haris [Anxious]
4. Farah 'Alaiyna [Joy Upon Us]
An iterative, developmental, explorative suite of music.
Fastidious fans may recognise the album's tracklisting as that of Ahmed Abdul-Malikās Jazz Sahara. After his success collaborating with the pianists Thelonious Monk and Randy Weston, Jazz Sahara was the first record Abdul-Malik made as a leader and was released in 1958. It used the flame of late Fifties jazz to light the wick of North African folk music and acted as a reminder of the Arabic origins of jazz, creating a distinct, unique sound that was far beyond its time. In Malikās Jazz Sahara, there is no piano. The ongoing work of each member of [Ahmed] then is to think differently, to wonder how the music will work and to take a risk on trying it out - an extraordinarily compelling feat of imagination.
Using group improvisation strategies and recording in single takes, ???? [Sama'a] (Audition) tackled the full suite of Jazz Sahara in just one session, with āYa Annas [Oh, Peopleā] and āIsma'a [Listenā] being previously unrecorded. 'Farah 'Alaiynaā, also released on 2019ās Super Majnoon, sounds unrecognisable - the slow, heady stomp and repeated phrasing of 2019ās embryonic [Ahmed] having been blast furnaced and sped up four-fold.
The result is four kaleidoscopic, relative miniatures that move, unfold and re-imagine at a very different scale and proportion than [Ahmed]ās previous records. Itās a dizzying, euphoric music and an extraordinary record of a group moving through space-time like no other.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
1. Ya Annas [Oh, People]
2. Isma'a [Listen]
3. El Haris [Anxious]
4. Farah 'Alaiyna [Joy Upon Us]
An iterative, developmental, explorative suite of music.
Fastidious fans may recognise the album's tracklisting as that of Ahmed Abdul-Malikās Jazz Sahara. After his success collaborating with the pianists Thelonious Monk and Randy Weston, Jazz Sahara was the first record Abdul-Malik made as a leader and was released in 1958. It used the flame of late Fifties jazz to light the wick of North African folk music and acted as a reminder of the Arabic origins of jazz, creating a distinct, unique sound that was far beyond its time. In Malikās Jazz Sahara, there is no piano. The ongoing work of each member of [Ahmed] then is to think differently, to wonder how the music will work and to take a risk on trying it out - an extraordinarily compelling feat of imagination.
Using group improvisation strategies and recording in single takes, ???? [Sama'a] (Audition) tackled the full suite of Jazz Sahara in just one session, with āYa Annas [Oh, Peopleā] and āIsma'a [Listenā] being previously unrecorded. 'Farah 'Alaiynaā, also released on 2019ās Super Majnoon, sounds unrecognisable - the slow, heady stomp and repeated phrasing of 2019ās embryonic [Ahmed] having been blast furnaced and sped up four-fold.
The result is four kaleidoscopic, relative miniatures that move, unfold and re-imagine at a very different scale and proportion than [Ahmed]ās previous records. Itās a dizzying, euphoric music and an extraordinary record of a group moving through space-time like no other.












