
Marnie Weber Returning Home: The Music of Marnie Weber Vinyl LP 2026
1. Tiger, Tiger
2. Nude in Solitude
3. Songs Hurt Me
4. The Ship Song
5. Moans
6. The Passionate One
7. Shanghai My Heart
8. In The Meadow
You probably have at least one friend who is completely obsessed with Marnie Weber. Her dark, punk-infused humor and fearless embrace of eccentric feminine power archetypes combine with gut-punch viscerality and a strange beauty that is anything but pretty.â Village Voice âThis neo-gothic fairytale wavers between happiness and sadness, amusement and tragedy, attraction and repulsion.â The White Review âWeber reaches a new scale for her workâŠThe sentimentality and romance at its root fearlessly sets it apart.â BOMB âWild multimedia works that often dwell on the ghostly and the monstrous. Think: Fairy tales gone seriously awry.â LA Times Acclaimed LA multidisciplinary artist and musician Marnie Weber collects highlights from a long and storied career on Returning Home: The Music of Marnie Weber, a collection of neo-goth art-pop that steers between kanky? ongaku pop songs, noise-rock, and haunted fairytale darkness. The career of Marnie Weber (b. 1959) began with gigs paid in beer at an LA trucker bar in 1977. Her band, Party Boys, formed when Weber was then 19 and had just left home. By the early 80âs, the band began regularly performing at LAâs fabled Alâs Bar, sharing the stage with generational talents that passed over its beer-drenched floors. L7, Beck, Arto Lindsay, Ry Cooder, The Fall, Fear, Hole, HĂŒsker DĂŒ, Social Distortion, Nirvana, The Residents, Sonic Youth, Urge Overkill, Jesus Lizard, the Misfits, among plenty more, played to audiences that included Bret Easton Ellis, Steve Buscemi, Tommy Lee, Bill Murray, Al Pacino, Sean Penn, and Chloe Sevigny.
Original: $33.56
-65%$33.56
$11.75Marnie Weber Returning Home: The Music of Marnie Weber Vinyl LP 2026
1. Tiger, Tiger
2. Nude in Solitude
3. Songs Hurt Me
4. The Ship Song
5. Moans
6. The Passionate One
7. Shanghai My Heart
8. In The Meadow
You probably have at least one friend who is completely obsessed with Marnie Weber. Her dark, punk-infused humor and fearless embrace of eccentric feminine power archetypes combine with gut-punch viscerality and a strange beauty that is anything but pretty.â Village Voice âThis neo-gothic fairytale wavers between happiness and sadness, amusement and tragedy, attraction and repulsion.â The White Review âWeber reaches a new scale for her workâŠThe sentimentality and romance at its root fearlessly sets it apart.â BOMB âWild multimedia works that often dwell on the ghostly and the monstrous. Think: Fairy tales gone seriously awry.â LA Times Acclaimed LA multidisciplinary artist and musician Marnie Weber collects highlights from a long and storied career on Returning Home: The Music of Marnie Weber, a collection of neo-goth art-pop that steers between kanky? ongaku pop songs, noise-rock, and haunted fairytale darkness. The career of Marnie Weber (b. 1959) began with gigs paid in beer at an LA trucker bar in 1977. Her band, Party Boys, formed when Weber was then 19 and had just left home. By the early 80âs, the band began regularly performing at LAâs fabled Alâs Bar, sharing the stage with generational talents that passed over its beer-drenched floors. L7, Beck, Arto Lindsay, Ry Cooder, The Fall, Fear, Hole, HĂŒsker DĂŒ, Social Distortion, Nirvana, The Residents, Sonic Youth, Urge Overkill, Jesus Lizard, the Misfits, among plenty more, played to audiences that included Bret Easton Ellis, Steve Buscemi, Tommy Lee, Bill Murray, Al Pacino, Sean Penn, and Chloe Sevigny.
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1. Tiger, Tiger
2. Nude in Solitude
3. Songs Hurt Me
4. The Ship Song
5. Moans
6. The Passionate One
7. Shanghai My Heart
8. In The Meadow
You probably have at least one friend who is completely obsessed with Marnie Weber. Her dark, punk-infused humor and fearless embrace of eccentric feminine power archetypes combine with gut-punch viscerality and a strange beauty that is anything but pretty.â Village Voice âThis neo-gothic fairytale wavers between happiness and sadness, amusement and tragedy, attraction and repulsion.â The White Review âWeber reaches a new scale for her workâŠThe sentimentality and romance at its root fearlessly sets it apart.â BOMB âWild multimedia works that often dwell on the ghostly and the monstrous. Think: Fairy tales gone seriously awry.â LA Times Acclaimed LA multidisciplinary artist and musician Marnie Weber collects highlights from a long and storied career on Returning Home: The Music of Marnie Weber, a collection of neo-goth art-pop that steers between kanky? ongaku pop songs, noise-rock, and haunted fairytale darkness. The career of Marnie Weber (b. 1959) began with gigs paid in beer at an LA trucker bar in 1977. Her band, Party Boys, formed when Weber was then 19 and had just left home. By the early 80âs, the band began regularly performing at LAâs fabled Alâs Bar, sharing the stage with generational talents that passed over its beer-drenched floors. L7, Beck, Arto Lindsay, Ry Cooder, The Fall, Fear, Hole, HĂŒsker DĂŒ, Social Distortion, Nirvana, The Residents, Sonic Youth, Urge Overkill, Jesus Lizard, the Misfits, among plenty more, played to audiences that included Bret Easton Ellis, Steve Buscemi, Tommy Lee, Bill Murray, Al Pacino, Sean Penn, and Chloe Sevigny.












