
JJULIUS Vol. 3 Vinyl LP 2025
2. Etiopisk hallucination
3. Letar efter nya plÄgor
4. Köpa saker
5. Verkligheten och jag
6. Balladen om elpriset i Augusti 2022
7. Coral bass strings
8. Dödsdisco
9. Ringer Ă„ ringer
10. VĂ€lkommen pĂ„ intervju In the discourse around new albums from singular, world-building artists, the phrase âa big step forwardâ can often be a blinking red warning sign. You know youâre about to be pulled somewhere new against your will. Inertia is a hell of a thing. Itâs nice here. Surely, the partyâs not over yet? JJULIUSâ Vol. 3 album is a big step forward, or a step up, out of the murky basement of the preceding two volumes. Thereâs no time to acclimate. A spindly violin grabs you by the hand and pulls you into the pastoral bounce of âBrinna ut,â which, in spite of its meaning (âBurn outâ), creates the kind of blind positivity and warm stomach feeling less cynical people might find in self-help seminars. For us, we have records like this. And, inertia be damned, Vol. 3 has charm like a balm. JJULIUS records have always arrived like meteors from another planet, an impression hammered home by the fact that theyâre titled like compendiums of artifacts. And while Vols. 1 and 2 carried that notable tinge of darkness, Vol. 3 has (almost!) cast that shadow, adding elements of disco (âDödsdiscoâ) and dream-pop (âEtopisk hallucinationâ) to his forever favorites Arthur Russell, African Head Charge, and The Fall. Some of that new car smell could be attributed to a change in process. Each song was written over beats played by Tor SjödĂ©n of the wild-eyed Stockholm group Viagra Boys, beats that were themselves inspired by tracks from the likes of Patrick Cowley, CAN, Count Ossie, Black Devil Disco Club and others that Julius would send to him as inspiration. Unless youâre Mark E. Smith, fervor fades. Eventually we all crave a lie down in some nice grass, a few minutes to gaze at the sky and wonder if everything is actually all that bad. Vol. 3 gives you 35 of those respiting minutes. âNo looking back, no misery, no talking trash, no enemies.â
JJULIUS Vol. 3 Vinyl LP 2025
2. Etiopisk hallucination
3. Letar efter nya plÄgor
4. Köpa saker
5. Verkligheten och jag
6. Balladen om elpriset i Augusti 2022
7. Coral bass strings
8. Dödsdisco
9. Ringer Ă„ ringer
10. VĂ€lkommen pĂ„ intervju In the discourse around new albums from singular, world-building artists, the phrase âa big step forwardâ can often be a blinking red warning sign. You know youâre about to be pulled somewhere new against your will. Inertia is a hell of a thing. Itâs nice here. Surely, the partyâs not over yet? JJULIUSâ Vol. 3 album is a big step forward, or a step up, out of the murky basement of the preceding two volumes. Thereâs no time to acclimate. A spindly violin grabs you by the hand and pulls you into the pastoral bounce of âBrinna ut,â which, in spite of its meaning (âBurn outâ), creates the kind of blind positivity and warm stomach feeling less cynical people might find in self-help seminars. For us, we have records like this. And, inertia be damned, Vol. 3 has charm like a balm. JJULIUS records have always arrived like meteors from another planet, an impression hammered home by the fact that theyâre titled like compendiums of artifacts. And while Vols. 1 and 2 carried that notable tinge of darkness, Vol. 3 has (almost!) cast that shadow, adding elements of disco (âDödsdiscoâ) and dream-pop (âEtopisk hallucinationâ) to his forever favorites Arthur Russell, African Head Charge, and The Fall. Some of that new car smell could be attributed to a change in process. Each song was written over beats played by Tor SjödĂ©n of the wild-eyed Stockholm group Viagra Boys, beats that were themselves inspired by tracks from the likes of Patrick Cowley, CAN, Count Ossie, Black Devil Disco Club and others that Julius would send to him as inspiration. Unless youâre Mark E. Smith, fervor fades. Eventually we all crave a lie down in some nice grass, a few minutes to gaze at the sky and wonder if everything is actually all that bad. Vol. 3 gives you 35 of those respiting minutes. âNo looking back, no misery, no talking trash, no enemies.â
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2. Etiopisk hallucination
3. Letar efter nya plÄgor
4. Köpa saker
5. Verkligheten och jag
6. Balladen om elpriset i Augusti 2022
7. Coral bass strings
8. Dödsdisco
9. Ringer Ă„ ringer
10. VĂ€lkommen pĂ„ intervju In the discourse around new albums from singular, world-building artists, the phrase âa big step forwardâ can often be a blinking red warning sign. You know youâre about to be pulled somewhere new against your will. Inertia is a hell of a thing. Itâs nice here. Surely, the partyâs not over yet? JJULIUSâ Vol. 3 album is a big step forward, or a step up, out of the murky basement of the preceding two volumes. Thereâs no time to acclimate. A spindly violin grabs you by the hand and pulls you into the pastoral bounce of âBrinna ut,â which, in spite of its meaning (âBurn outâ), creates the kind of blind positivity and warm stomach feeling less cynical people might find in self-help seminars. For us, we have records like this. And, inertia be damned, Vol. 3 has charm like a balm. JJULIUS records have always arrived like meteors from another planet, an impression hammered home by the fact that theyâre titled like compendiums of artifacts. And while Vols. 1 and 2 carried that notable tinge of darkness, Vol. 3 has (almost!) cast that shadow, adding elements of disco (âDödsdiscoâ) and dream-pop (âEtopisk hallucinationâ) to his forever favorites Arthur Russell, African Head Charge, and The Fall. Some of that new car smell could be attributed to a change in process. Each song was written over beats played by Tor SjödĂ©n of the wild-eyed Stockholm group Viagra Boys, beats that were themselves inspired by tracks from the likes of Patrick Cowley, CAN, Count Ossie, Black Devil Disco Club and others that Julius would send to him as inspiration. Unless youâre Mark E. Smith, fervor fades. Eventually we all crave a lie down in some nice grass, a few minutes to gaze at the sky and wonder if everything is actually all that bad. Vol. 3 gives you 35 of those respiting minutes. âNo looking back, no misery, no talking trash, no enemies.â












