Golomb The Beat Goes On Vinyl LP 2025
1. The Beat Goes On
2. Staring
3. Experience Humanness
4. Pressure
5. Other Side of the Earth
6. Dog
7. The Sad Song
8. Real Power
9. Play Music
10. Be Here Now
11. Sweet Release (Ainât No Devil)
Molded in the fertile rock crescent of Columbus, Ohio, three-piece Golomb - comprised of Mickey Shuman (vocals/guitar), Xenia Shuman (bass/guitar) and Hawken Holm (drums) - channel Midwest friction into an album that seeks to find a genuine connection. Bounding through bluster like Loop one minute and hunkered down like Pixies pummeling popâs soft spots at Fort Apache the next. The underlying buzz on âReal Powerâ dips a few miles south of Columbus to channel Daytonâs favorite sons, stitching together some clear-eyed clamor from the GBV playbook. The band lays it bare on âDogâ with a slow slink that builds toward the singed elegance of Spiritualized and a lyrical labyrinth thatâs cut and pasted into a Burroughs-esque blur of rock motifs. The song peaks in pure maelstrom with a glorious glut of feedback foaming out of the speakers. The familiar specter of The Velvets rears its head in the shambolic beat of the title track, and âOther Side Of The Earthâ gets gooey with dub, but never loses the bandâs ability to feed the fray. Then, they wind guitar around their rhythms with the grace of early Built To Spill on âBe Here Now,â letting the sax twirls of Henry Ross send the song into the ether.
Golomb The Beat Goes On Vinyl LP 2025
1. The Beat Goes On
2. Staring
3. Experience Humanness
4. Pressure
5. Other Side of the Earth
6. Dog
7. The Sad Song
8. Real Power
9. Play Music
10. Be Here Now
11. Sweet Release (Ainât No Devil)
Molded in the fertile rock crescent of Columbus, Ohio, three-piece Golomb - comprised of Mickey Shuman (vocals/guitar), Xenia Shuman (bass/guitar) and Hawken Holm (drums) - channel Midwest friction into an album that seeks to find a genuine connection. Bounding through bluster like Loop one minute and hunkered down like Pixies pummeling popâs soft spots at Fort Apache the next. The underlying buzz on âReal Powerâ dips a few miles south of Columbus to channel Daytonâs favorite sons, stitching together some clear-eyed clamor from the GBV playbook. The band lays it bare on âDogâ with a slow slink that builds toward the singed elegance of Spiritualized and a lyrical labyrinth thatâs cut and pasted into a Burroughs-esque blur of rock motifs. The song peaks in pure maelstrom with a glorious glut of feedback foaming out of the speakers. The familiar specter of The Velvets rears its head in the shambolic beat of the title track, and âOther Side Of The Earthâ gets gooey with dub, but never loses the bandâs ability to feed the fray. Then, they wind guitar around their rhythms with the grace of early Built To Spill on âBe Here Now,â letting the sax twirls of Henry Ross send the song into the ether.
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1. The Beat Goes On
2. Staring
3. Experience Humanness
4. Pressure
5. Other Side of the Earth
6. Dog
7. The Sad Song
8. Real Power
9. Play Music
10. Be Here Now
11. Sweet Release (Ainât No Devil)
Molded in the fertile rock crescent of Columbus, Ohio, three-piece Golomb - comprised of Mickey Shuman (vocals/guitar), Xenia Shuman (bass/guitar) and Hawken Holm (drums) - channel Midwest friction into an album that seeks to find a genuine connection. Bounding through bluster like Loop one minute and hunkered down like Pixies pummeling popâs soft spots at Fort Apache the next. The underlying buzz on âReal Powerâ dips a few miles south of Columbus to channel Daytonâs favorite sons, stitching together some clear-eyed clamor from the GBV playbook. The band lays it bare on âDogâ with a slow slink that builds toward the singed elegance of Spiritualized and a lyrical labyrinth thatâs cut and pasted into a Burroughs-esque blur of rock motifs. The song peaks in pure maelstrom with a glorious glut of feedback foaming out of the speakers. The familiar specter of The Velvets rears its head in the shambolic beat of the title track, and âOther Side Of The Earthâ gets gooey with dub, but never loses the bandâs ability to feed the fray. Then, they wind guitar around their rhythms with the grace of early Built To Spill on âBe Here Now,â letting the sax twirls of Henry Ross send the song into the ether.
